[Lifebeats (Instrumental)]
|
|
[Prelude (Instrumental)]
|
|
[The Silver Cord]
|
|
"Do you still see me even here?"
|
(The silver cord lies on the ground.)
|
"And so I'm dead", the young man said
|
over the hill (not a wish away).
|
My friends (as one) all stand aligned
|
although their taxis came too late.
|
There was / a rush along the Fulham Road.
|
There was / a hush in the Passion Play.
|
|
Such a sense of glowing in the aftermath
|
ripe with rich attainments all imagined
|
sad misdeeds in disarray
|
the sore thumb screams aloud,
|
echoing out of the Passion Play.
|
All the old familiar choruses come crowding in a different key...
|
Melodies decaying in sweet dissonance.
|
There was a rush along the Fulham Road
|
into the Ever-passion Play.
|
|
And who comes here to wish me well?
|
A sweetly-scented angel fell.
|
She laid her head upon my disbelief
|
and bathed me with her ever-smile.
|
And with a howl across the sand
|
I go escorted by a band of gentlemen in leather bound
|
NO-ONE (but someone to be found).
|
|
[Re-Assuring Tune (Instrumental)]
|
|
[Memory Bank]
|
|
All along the icy wastes there are faces smiling in the gloom.
|
Roll up roll down, Feeling unwound? Step into the viewing room.
|
The cameras were all around.We've got you taped you're in the play.
|
Here's your I.D. (Ideal for identifying one and all.)
|
Invest your life in the memory bank ours the interest and we thank you.
|
The ice-cream lady wets her drawers, to see you in the passion play.
|
Take the prize for instant pleasure, captain of the cricket team
|
public speaking in all weathers, a knighthood from a queen.
|
|
[Best Friends]
|
|
All your best friends' telephones never cooled from the heat of your hand.
|
There's a line in a front-page story, 13 horses that also-ran.
|
Climb in your old umbrella. Does it have a nasty tear in the dome?
|
But the rain only gets in sometimes and the sun never leaves you alone,
|
you alone, you alone, you alone, you alone, you alone.
|
|
[Critique Oblique]
|
|
Lover of the black and white it's your first night.
|
The Passion Play, goes all the way, spoils your insight.
|
Tell me how the baby's made, how the lady's laid,
|
why the old dog howls in sadness.
|
|
And your little sister's immaculate virginity wings away on the bony shoulders
|
of a young horse named George who stole surreptitiously into her geography revision.
|
(The examining body examined her body.)
|
Actor of the low-high Q, let's hear your view.
|
Peek at the lines upon your sleeves since your memory won't do.
|
Tell me: how the baby's graded, how the lady's faded,
|
why the old dogs howl with madness.
|
All of this and some of that's the only way to skin the cat.
|
And now you've lost a skin or two, you're for us and we for you.
|
The dressing room is right behind, We've got you taped, you're in the play.
|
How does it feel to be in the play?
|
How does it feel to play the play?
|
How does it feel to be the play?
|
|
Man of passion rise again, we won't cross you out...
|
for we do love you like a son, of that there's no doubt.
|
Tell us: is it you who are here for our good cheer?
|
Or are we here for the glory, for the story, for the gory satisfaction
|
of telling you how absolutely awful you really are?
|
There was / a rush along the Fulham Road.
|
There was / a hush in the Passion Play.
|
|
[Forest Dance #1 (Instrumental)]
|
|
-----------------
|
A Passion Play (Part 1)
|
Jethro Tull |